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Here are over 100 ideas to help you keep monogamy hot! 1. Find out what music your lover likes, and play it. 2. Sing to each other, especially if you can't sing. Listen to a song that turns you on and write the words out so you will remember them. Then without any music sing that song as a surprise gift to your lover. Watch the tears come to their eyes. 3. Find out what scents your lover likes, e.g., perfumes and especially essential oils. Get an essential oil diffuser. 4. Wear the clothes your lover likes. Try something wild in latex. 5. Serve the food your lover likes. 6. Select locations for lovemaking that your partner likes. 7. Prepare yourself for stimulating conversation. Do some homework if necessary to have something interesting to talk about. 8. Give lots of compliments on a regular basis. 9. Compliment you lover in front of others. 10. Tell each other all the things you like and appreciate about each other. Do this every day. 11. Show your body to your lover. Let them look as long as they like. 12. Take your clothes off while your lover watches. 13. Tease your partner with partial nudity at unexpected times, like when your mother or children are in the other room. Be artful and naughty about it so only your lover sees you. 14. Explore each other's bodies with your eyes, hands and tongues. 15. Hold a mirror for your partner to look at their own genitals. 16. Women, touch your lover's genitals with sighs of desire from time to time, even when out in public (discretely). 17. Men, nibble on your partner's neck with sighs of desire from time to time, even when out in public. 18. Give each other a sensual massage. Try short 5 minute full body massages on a daily basis, as well as longer versions (one hour or longer) when time permits. Use an exotic massage oil. You can mix some yourself with an excellent essential oil in a base of first cold press grapeseed (canola) oil. 19. Create a temple-of-love space in anticipation of your lovemaking. Make your space beautiful. Keep it simple. 20. Create your own rituals & ceremonies. Keep it simple. 21. Tell each other what turns you on. If they don't know they can't give it to you. 22. Read and/or write erotic poetry and stories. 23. Watch erotic, romantic movies and videos. 24. Take a bath or shower together. Even small tubs are great fun. Make a mess. 25. Wash each other's bodies. Be kind and gentle and provocative, or raucous and wild, whatever you're both into. 26. Wash each other's feet. Use a small dishpan and some wonderful natural soap. Rub on an aromatic foot lotion. 27. Suck on your partner's squeaky-clean toes. 28. Feed each other food and drink. Use your fingers. Make a mess. 29. Read stories out loud to each other. 30. Wear costumes and masks as part of your foreplay. Oooh, mystery! 31. Tie each other up. Men especially love to be tied up. 32. Paint each other's bodies. Use washable/edible body paint or chocolate sauce you make yourself or buy. 33. Wash each other's hair. 34. Give each other pedicures. 35. Prepare sensual meals together. Fondle and tease each other as you work/play. 36. Watch the sun come up or go down, or the moon go across the water. 37. Lie out under the stars. Sleep out under the stars. 38. Make flower arrangements together, fresh or dried. 39. Send each other erotic post cards without any special occasion. 40. Write love letters to each other. 41. Say the words "I love you. I need you. I want you." 42. Whisper words of adoration in your lover's ears before, during and after love making. 43. Talk "dirty" in your lover's ears in the heat of passion during your lovemaking. 44. Hold hands in public. 45. Go on picnics. 46. Call each other by "sucky" pet names. 47. Make foreplay go on and on and on and on and.... 48. Men, help your woman come to orgasm before intercourse - at least some times! 49. Men, be sure she is wet, before you put your golden rod into her fig pocket! 50. Romance each other for hours, with intercourse on and off the whole time. Men, learn to delay ejaculation! 51. Cuddle after intercourse. Look into each other's eyes. Say words of love and adoration. Thank the God and Goddess for their favors. 52. Cry in front of each other. 53. Share what you are feeling. Risk being vulnerable. 54. Try different lovemaking positions. Experiment. 55. Try different lovemaking locations. Experiment. 56. Use love toys. Experiment. 57. Laugh during intercourse. Laugh before intercourse. Laugh after intercourse. 58. Offer unexpected gifts. Keep it simple, but thoughtful. Pick the right thing, not the biggest or most expensive thing. 59. Remember special occasions. Special occasions should be special! 60. Say please and thank you for sexual favors and for many small things each day. “Whether the pretty woman grants or withholds her favors, she always likes to be asked for them.” Ovid 61. Surprise your lover with the unexpected. Experiment. 62. Try something new. Experiment. 63. Try something dangerous. Experiment. 64. Try something outrageous. Experiment. 65. Try something kinky. Experiment. 66. Try something you are afraid of. Experiment. 67. Try something forbidden. Experiment. 68. Share your fantasies. Act them out with each other. Don't ever share fantasies about someone else with your lover! 69. Masturbate each other. 70. Masturbate in front of each other. 71. Dress up for a romantic dinner. 72. Eat dinner by candlelight. 73. Make love by candlelight. 74. Put on little skits (acts) for each other. Experiment. 75. Be foolish and playful. Experiment. 76. Drop something that is really important for you to do, and make love instead. 77. Call when you are away and say "I miss you terribly. I can't wait to get home to hold you." 78. Talk "dirty" over the phone to each other. 79. Shop for sex toys and lingerie together. 80. Ladies, wear garter belt and stockings instead of pantyhose. 81. Put blindfolds on each other during foreplay and intercourse, sometimes. 82. Role play: innocent high school student, slut, nurse, stripper, master, slave, bad boy or girl, etc. 83. Look into each other's eyes, if possible until tears follow the opening of your heart in love. 84. Match the rhythm of your breathing during lovemaking. 85. Take rapid breaths to heat up your excitement. 86. Take long, deep, slow breaths to maintain a high level of excitement without going over into orgasm. Prolonging the orgasmic excitement leads to ecstasy. 87. Just hold each other. 88. Talk where one only listens. The one who listens does not try to take any responsibility, does not try to intervene or "fix" anything. Just listen. This is harder to do than it sounds. 89. Give each other a 10-second kiss when coming and going. 90. Make out like high school kids, without intercourse. 91. Practice Tantra Sacred Sex muscle control, breathing and visualization together. If you don't know how, take a workshop together. 92. Give each other flowers regularly. Men love to receive flowers too! 93. Have fresh flowers around as often as possible. 94. Have lots of green healthy plants in the house. 95. Notice all the little things you do for each other, that you regularly take for granted, and let each other know how important they are to you. Show your appreciation. 96. Spend time remembering wondrous past experiences together when you were happy and joyous. 97. Take turns leading when dancing slow. 98. In conversation always use loving names when referring to your genitals, e.g., jade stalk, wand of light, mystery cave, succulent flower, etc. 99. Make plans for the future. 100. Talk about spending the rest of your life together. 101. Write out your vision for the kind of relationship you want to create together. 102. Display your relationship vision/dream where you will see it often. 103. Serve each other breakfast in bed. 104. Sleep together NAKED! Curl around each other like spoons. Roll over together to change positions in the night. 105. In the morning when you wake up lying naked together, the man goes between the woman’s legs. If he is not aroused, he will use the soft entry by wetting his penis with saliva (or any suitable lubricant such as water based or silicone lubricants, or any cooking oil) and inserting it into her vagina. Lie still with your eyes open and match your breathing for 2-5 minutes. penis enlagement fact penis enlagement secret free penis enlarement pills manual penile enlargement homemade penis enhancement penis enlagement without pills penis enhancement surgery photo enlargment manhattan penis surgeon

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What happen during the first month of your newborn, does your baby need check up? In the first weeks after birth, your newborn begins a series of routine check ups. These are called well child visits. All healthcare professions have individual approaches to the timing and frequencies of these visits. In general, you should take your baby for a checkup within a week after delivery and thereafter, one or two visits during the first month as recommended by your doctor. During the well child visits, the doctor will perform the following: • Measure weight, length, and head circumference of the baby. The doctor will plot these measurements on a growth chart for comparison of previous and later markings to ensure normal, expected growth of your baby. • Check your baby's eyesight and hearing. • Examine if the cord has fallen off and the belly button is healing well. • Evaluate the baby's reflexes and general development. He will give some insight into your baby's feeding, and sleeping and will ask you if you have noticed any changes in behavior. Changes in caring and feeding of your baby will be suggested if necessary. • If your infant is a boy and was circumcised, the doctor will examine his penis as well. • He/she might also take a sample from baby’s heel to test for phenylketonuria (PKU). Although your baby might have been tested for PKU at the time of birth, it is advisable to repeat the test during first well baby visit as the test bears risks of inaccuracy when done within 48 hours of delivery. • He/she will also give your baby a hepatitis shot during one of these visits and will provide you with a schedule of immunizations your newborn is to be given during the subsequent visits. These routine well child visits will assure you about your baby’s progress and give you the opportunity to ask questions concerning your child’s care. How do I choose the best doctor for my newborn? Some parents are familiar with their pediatric practitioner even before they become pregnant, while most, especially the first time parents are not. If you were unaware of the doctor and service, you would like to avail for your coming baby, do not get overwhelmed and relax! With a little hard work, you will be able to reach a pediatrician you can rely on and respect. However, commence your search well in advance of your delivery. An optimal way to do it is to seek the names of pediatricians from your reliable sources, which may be your obstetrician, gynecologist, midwife or even relatives, friends, colleagues or neighbors with kids who share your parenting and perspectives. You may consider asking them the questions like, “Do their kids respond well to the doctor?”, “Is the doctor an experienced pediatrician?”, “Does he have knowledge of recent medical advances?”, “Does she welcome your queries and take time to discuss them?” Once you are ready with your list of potential pediatricians, start interviewing them, preferably in person, as it gives you a feel of their style, how they run their office, what the staff and nurses are like and if you feel comfortable with them. Ideally, you should accomplish this task about three months before you are due and take your birth plan along. You may address the following queries to the doctor in the interview: • Is she is licensed by the state, in which she practices? • What are her viewpoints on child-rearing issues such as breast-feeding, weaning and nutrition? • What she thinks about the use of antibiotics? (Due to adverse effects and questionable benefits of antibiotics, some pediatricians have restricted their use on kids). • What will happen if baby needs to transfer to the intensive care nursery? • Is she available in evening hours and on weekends? • Does she have a group or solo practice so that your child can see one of partners in the absence of her doctor? • Is she covered by insurance? • Various other issues like vaccination, nearness to your home, hospital affiliation, etc. may be important to you and must be addressed. While you interview the doctor, pay attention to how well she considers your needs. And also if you feel comfortable with her or not. Your choice of the doctor should be the one who best meets all these criteria! natural penis enhancement pills safe pennis enlargement com enlargement pnis pnis pump penis enlargment photo cheap penis enlargment best enlargment exercise penile natural pennis enlargement permanent penis enhancement free penis enhancement technique

So you are nine months pregnant, you’re excited and can’t wait for the day to come. You wait and you wait and you wait, still nothing. There are few things as frustrating as this, I know from personal experience! There are many little things that you can do to try and speed up your time. Of course this should only be done after consulting your doctor and when you are already in your ninth month of pregnancy. Getting labor over with is all fine and good but not at the expense of the baby’s health! Here are safe ways to induce labor and finally have that baby: Walking Many women walk, A LOT. Walking stimulates the muscles in your uterus and may stimulate contractions. Tea with Thyme It has been said that tea wit thyme has induced labor for many women. Scalini’s Restaurant This restaurant is in Georgia. Three hundred women in the past 23 years have gone into labor within 48 hours after eating their eggplant parmegiana. It is said that it is not actually the eggplant that induces labor, but the seasonings added to the dinner. Basil and Oregano are said to contain herbs that supposedly can stimulate labor contractions. Primrose oil This is another natural product that is said to start contractions. Castor Oil This oil is said to cause contractions because it causes diarrhea. The cramps from the diarrhea are said to start cramps in your uterus, which starts labor. Acupuncture This is sometimes used to induce labor by placing acupuncture needles on the inner calf and between the thumb and forefinger. You can also rub these 2 areas for 30 seconds each and that is supposed to induce labor. Doctor Stripping Membranes The doctor can strip your membranes by inserting 2 fingers into the woman’s uterus and moving them from side to side, pulling the membranes away from the cervix wall. Sex It is said that sex can start contractions, by the penis thinning the uterus and preparing it to open. Black cohosh and blue cohosh These are said to stimulate the start of contractions. Raspberry Leaf Tea This method was used by the Native Americans and is still sometimes used by midwives on their patients. The concept of it is based on all the others; it stimulates contractions. Nipple Stimulation This odd method causes oxytocin, which in turn makes your uterus contract. Cinnamon Sticks Boil cinnamon sticks in with your tea and drink it, yummy and effective. Relaxation exercises Relaxation exercises have been known to relax the woman into a state for labor to start. You can find a variety of relaxation exercises online. It should be noted (again) that none of these ways should be used unless the pregnant woman is near her due date. More than likely they will not work anyway unless the baby is ready to be born. You can give nature a little nudge but not likely a giant push, which you would not want to do anyways. If you are in your ninth month, tired of being huge and just too excited that you cannot wait, these are excellent ways to try to start you labor. penis enargement photo penis enargement cream prosolution penile enlargement pills penile enlargment drug cheap penis elargement pills pennis enlargement exercise best enargement exercise penis does penis enlargement work free penis enhancement technique

The following is from the beginning of a short story by the same title. Read “Author Bio” to learn more. **** I was recently doing a search in Google to find a website that would confirm my suspicions about a Tele-huckster—a pet peeve of mine to which I am hopelessly addicted. One thing led to another and, yada yada yada, before I knew it, my flat screen monitor began flashing a string of sexually explicit pictures in brilliant pulsating color. It was an X-rated pop-up extravaganza; one I was unable to keep up with. I clicked frantically trying to close one close-up invasion after another. The bombardment continued on until it ran its course, eventually reaching some kind of worldwide web adult abyss that even the internet could not crawl below. As I cleaned up the dirty debris I so innocently spilled—well maybe not that innocently—I was struck by my good fortune. Thankfully, the internet came along decades after my early teen years. Had this stuff been around in the Sixties, I might still be squirreled away in my attic room to this day, trimming the hair on my palms while mumbling incoherently to my seeing-eye dog. On the other hand, learning the whereabouts, general appearance and overall purpose of female parts would have been a heck of a lot easier, not to mention more timely. Instead, my sex education was really the collective result of a hit or miss operation. At the time it was torture, but I don’t know, there was something funny about it too. And it all started at my local summer recreation center, Carteret Park ... **** “What did Roy Rogers say to Dale Evans in the bedroom when the lights went out?” Mud Finnegan asked a rapt group of adolescent boys sitting around a long wooden table at our local summer hangout, Carteret Park. He was about twelve years old, a year older than I and several years older than most of the kids sitting on the benches—that was age-wise but he seemed a generation older than all us in every other way. Mud looked around, working the table like a seasoned Catskill comedian. No one dared answered his question because it really wasn’t a question at all. It was an obvious lead-in to the punch line of another classic dirty joke; besides, no one had a clue as to the possible answer—no one that is except Moon Muller. “I know!” Moon yelped in a lame attempt to impress the guys, as if he was really in the know. “Shut up! You don’t know crap!” Fitzy snapped back, warning that one of his patented headlocks might be coming Moon’s way if he didn’t keep his big trap shut. “Do too!” Moon fired back in a surprising show of bravado. “Are you two f’in jerk-offs through?” Mud, as only Mud could do, used the “F” word with a certain artistic flair. He painted masterpieces with four letter words no differently than Monet did with colors from a pallet. Having regained the attention of his fickle audience, he continued to close the deal. “Do you f'in dick heads wanna hear the f’in joke or doncha?” His eyes got wide and kind of crazy looking, one eyebrow climbing higher than the other. Of course, we wanted to hear. Everyone settled down. He waited a moment, knowing timing was everything; then, delivered the goods. “I’ll turn on my flashlight if you turn on your headlights.” A flash of universal vacant thought swept across the sea of open jawed faces, like the eerie stillness before a tornado strikes, as our feeble brains scrambled to “get it”. Then, as if prompted by an audience monitor, an explosion of rip-roaring, doubled-over laughter swept around the table. Ah … Mud sure could bring it home. Making it all the more incredulous was that most of us struggled to understand the punch-line. But we knew enough to laugh because that always bought us time to figure it out. Mud proudly acknowledged his success with a wide grin, while he waited for us to wipe the tears from our eyes, boogers from our noses and drool from our chins. He was on top of his game. Being the veteran performer he was, he launched into an encore with another doozey about some lost traveler asking some guy who is with a woman how far is “The Old Log Inn”; you can guess the answer. Another eruption of roaring, clueless laughter followed. Another tidbit of carnal information revealed. That was my introductory class to sex education in the Sixties. We weren’t taught concepts like “private parts”, and never heard of or cared much for formal words like “penis” or “breast” or “vagina”. Our language was narrow and practical; “logs” or “rods” and “headlights” or “cams” were all we knew or needed know to communicate with each other. Regarding “vagina”, only a few guys with older sisters had even the slightest notion of what that might be; most of us were under the delusion that girls had simply broken their logs off at birth; possibly by accident or through carelessness. So all we had were Mud’s dirty jokes, and embellished stories of older sisters spied on or caught in some state of undress. It was all a forewarning of things to come. I mean we understood the direct symbolism of certain words to body parts and innately found the sophomoric humor in using such imagery in the context of a joke. But underneath it all we started to sense that there was more to this than met the eye, something sinister. As we’d soon come to discover, there sure was! penile enlargement supplement penis enlargement procedure vimax penis enlargement fact penis enargement pic permanent penis enlargment vimax penis enlargement surgery photo penis enlarement surgery cost penis enlargment pill pro solution free penis enhancement technique

Gangster rap, or hardcore rap, is generally considered a sub genre of the larger category of rap music, which itself is a subcategory of hip-hop. Gangster rap is differentiable from other rap music in that it makes use of images of urban life associated with crime (Haugen, 2). According to the Encyclopedia Britannica definition of gangster rap, the top four images associated with the genre are violence, drugs, materialism and sexual promiscuity. Gangster Rappers as Defining the Hip-Hop Social Group As the hip-hop movement has gained recognition throughout the United States, it has established itself as one of the fastest growing social groups anywhere. In the late 1990s immediately following the murders of both Tupac Shakur and Christopher Wallace, two nationally known gangster rappers, a propaganda campaign escalated against rap music and the hip-hop culture (Slaughter). Although gangster rap only represented a small percentage of the hip-hop culture at the time, all hip-hop and rap music was instantly stereotyped negatively as being “gangter-like”. Why? Well, this gangster version of hip-hop was the highest selling and most recognized form of hip-hop music among the majority class. And many critics have determined that this is because America is in love with sex, drugs and violence (Whaley). Hip-Hop’s Rejection of Inferior Social Group Status Henri Tajfel, a social psychologist who developed a theory of inter-group relations and social change, argues that members of a social group deemed inferior by a majority class can either accept or reject their inferior position in society. If a group refuses to accept its inferior position in society as just, it will attempt as a group to change things (Coates, 8-9). A large number of hip-hop artists have used their musical lyrics to reject the inferior social status placed upon them by the majority class. The Reconstruction of the Gangster Identity I have found that hip-hop artists use lyrics, both musical and poetic, to redefine the negatives characteristics given to their culture by the majority class, and in the process, reconstruct the gangster identity. By examining these hip-hop and gangster rap lyrics as text, I will show ways in which the lyrics attempt to reconstruct the stereotyped gangster rap identity by examining different views of violence, drugs, materialism and sexual promiscuity. In the end, one tends to wonder: Who exactly are the real gangsters? Violence That the hip-hop culture represents gangster-like violence is perhaps the biggest disputed claim amongst hip-hop artists. In order to disprove this claim, many hip-hop artists have pointed to the violence that exists within the majority social group, and how it leads to violence all over the world. In “Violence”, 2 Pac demonstrates his belief that violence was prevalent long before gangster rap existed: I told em fight back, attack on society If this is violence, then violent's what I gotta be If you investigate you'll find out where it's comin’ from Look through our history, America's the violent one Here, the poet points to American society as “the violent one” and that he has to be violent in order to “fight back.” In “Who Knew”, Eminem showed a similar viewpoint by expressing his belief that violence is a common occurrence in American society, yet not challenged in genres outside of the urban environment: So who's bringin’ the guns in this country? I couldn't sneak a plastic pellet gun through customs over in London And last week, I seen a Schwarzaneggar movie Where he's shootin’ all sorts of these bad guys with an Uzi Here, the poet questions the existence of violence in a country that allows firearms and violent movies. In “Casualties of War”, Rakim blames the United States government, specifically its Head of State, as the group causing the violence in society with their war-like ways: I'ma get back to New York in one piece But I'm bent in the sand that is hot as the city streets Sky lights up like fireworks blind me Bullets, whistlin’ over my head remind me... President Bush said attack Flashback to Nam, I might not make it back In this text, the poet refers to our country’s decision to go to war as an example of the violence that exists amongst the majority social class. In “The Watcher”, Dr. Dre redefines the negative characteristic of violence by pointing to the police force as the source of violence, and therefore, referring to them as “gangster-like”: Things just ain't the same for gangstas Cops is anxious to put people in handcuffs They wanna hang us, see us dead or enslave us Keep us trapped in the same place we raised in Then they wonder why we act so outrageous Run around stressed out and pull out gauges Cause everytime you let the animal out cages It's dangerous, to people who look like strangers Here, the poet accuses the majority class of keeping them “trapped in the same place we raised in” and that the perceived violence is only due to the introduction of “people who look like strangers.” These are examples of how hip-hop artists redefine the image of violence by showing how it exists or was created within the majority social group. Drugs Another common disputed stereotype of hip-hop artists is their use and distribution of illegal drugs. In attempts to redefine this negative characteristic, many hip-hop artists have pointed at the majority social group as the facilitator of drug abuse. In “Justify My Thug”, Jay-Z speaks directly to members of government, raising questions about who has made the availability and use of these drugs possible: Mr. President, there's drugs in our residence Tell me what you want me to do, come break bread with us Mr. Governor, I swear there's a cover up Every other corner there's a liquor store - what is up? In this example, the poet inquires as to why there is a liquor store in “every other corner” of his community. In “I Want to Talk to You”, Nas uses the same approach to challenge the notion of drug distribution by asking his representatives what they would do in his situation: Why y'all made it so hard, damn People gotta go create their own job Mr. Mayo,r imagine if this was your backyard Mr. Governo,r imagine if it was your kids that starved Imagine your kids gotta sling crack to survive Here, the poet claims that the distribution of drugs is not only an effect of the poverty that exists in his environment, but also a means of survival. In “Manifesto”, Talib Kweli actually accuses the government of being the body which allows drugs into the country: Like the C.I.A. be bringin’ in crack cocaine bailin’ out of planes With the George Bush connections, I push Reflection Like I'm sellin’ izm, like a dealer buildin’ the system Supply and the demand it's all capitalism People don't sell crack cause they like to see blacks smoke People sell crack cause they broke In this example, the poet accuses the C.I.A. of flying drugs into the country, and again reiterates the point that it is a means of survival due to the “supply and demand” of a capitalist society. In “Damn It Feels Good to be a Gangster”, the Geto Boys fully redefine the negative characteristic of drug distribution by accusing the President of being a drug dealer, and therefore, a gangster: And now, a word from the President! Damn it feels good to be a gangsta Getting’ voted into the White House Everything lookin’ good to the people of the world But the Mafia family is my boss So every now and then I owe a favor gettin' down Like lettin' a big drug shipment through And send 'em to the poor community So we can bust you know who These examples show how hip-hop artists redefine the image of being drug dealers and users by again pointing to the majority class as the creator of the drug problem in this country. Materialism Hip-hop music is also seen by the majority class as a genre dominated by materialism. Again, artists point back to the majority class in an attempt to redefine this negative characteristic. In “Respiration”, Black Star points to all the wealth surrounding urban areas, and how it absorbs the lower class in materialism, making them want parts of that wealth: Where mercenaries is paid to trade hot stock tips For profits, thirsty criminals take pockets Hard knuckles on the second hands of workin’ class watches Skyscrapers is colossus, the cost of living Is preposterous, stay alive, you play or die, no options Here, the poet talks about various materialistic aspects of the majority class, and how the lower class must “play or die” to “stay alive.” In “All Falls Down”, Kanye West actually blames this materialism on American society: It seems we living the American dream But the people highest up got the lowest self esteem The prettiest people do the ugliest things For the road to riches and diamond rings In this example, the poet blames the “American dream” for materialism, saying it causes people to “do the ugliest things” for “riches and diamond rings.” In “Los Angeles Times”, Xzibit also blames this materialism on the majority class, claiming that is what the youth are taught coming up in urban environments: Welcome to L.A. Where you can see the whole city burning Cause the cops got Uzis and the dealers keep serving And your kids ain't learning it, except this Sex power and wealth, forget everything else Here, the poet expresses his belief that certain aspects of materialism, including “power and wealth” are taught to children through occurrences in society. These are examples how hip-hop artists redefine the negative characteristic of being materialistic by showing examples of how this materialism is prevalent in the majority class, and often created within that class. Sex And the final debated stereotype of the hip-hop social class is that they are sexually promiscuous, often leading to disrespectful treatment towards women. The poets also attempt to redefine this stereotype by blaming the core of the problem on society. In “Pussy Galore”, the Roots claim that the country’s obsession with sex is pushed by sexually-driven marketing campaigns: Lookin' out the limo window up at the billboards 200 miles, she was the only thing I saw Promotin' everything, from the liquor to the nicotine Cell phones, anti-histamines, chicken wings You gotta show a little skin to get them listening For real yo, the world is a sex machine In this example, the poet retells a personal experience in which he saw sex advertisements as “promotin’ everything.” And in order to “get them listening”, he claims, “you gotta show a little skin.” In “Get By”, Talib Kweli blames this sexual obsession on what we view on television: The TV got us reachin’ for stars Not the ones between Venus and Mars, The ones that be readin’ for parts Some people get breast enhancements and penis enlargers Here, the poet expresses his belief that television creates a misconception of what people should be sexually, and that contributes to the promiscuity that is being blamed on the hip-hop movement. Hip-hop artists have used their lyrics and poetry to influence the rejection and reconstruction of the gangster identity that plagues their social class. This is accomplished through the redefining of negative characteristics assigned by the majority class. In most cases, these redefinitions include pointing to the majority class as the real holders of these negative characteristics. The redefining of these “gangster-like” images through hip-hop lyrics helps to reconstruct the gangster identity by questioning “gangster-like” behaviors and which social class actually has these behaviors. So the question presented is: Who exactly are the gangsters? Works Cited / Discography 2 Pac. 2Pacalypse Now. Jive Records, 1991. Black Star. Mos Def & Talib Kweli are Black Star. Rawkus Records, 1998. Coates, Jennifer. Women, Men and Language. Longman Publishing, New York: 1993. Dr. Dre. The Chronic 2001. Interscope Records, 1999. Eminem. The Marshall Mathers LP. Interscope Records, 2000. Geto Boys. Uncut Dope LP. Interscope Records, 1999. Haugen, Jason. “‘Unladylike Divas’: Language, Gender and Female Gangster Rappers.” Popular Music and Society: December, 2003. Jay Z. The Black Album. Def Jam, 2003. Kanye West. College Dropout. Roc-A-Fella Records, 2004. Nas. I Am. Sony Records, 1999. Rakim. Don’t Sweat the Technique. MCA Records, 1992. Rawkus Records. Lyricist Lounge Volume 1. Priority Records, 1999. Slaughter, Peter. “Attack on Rap Music.” Barutiwa Weekly News. June 14, 1997. Talib Kweli & DJ Hi-Tek. Train of Thought. Rawkus Records, 2000. Talib Kweli. Quality. Rawkus Records, 2003. The Roots. Phrenology. MCA Records, 2002. Whaley, Angela. “Hip Hop is Not for Sale.” Colorado State University’s Talking Back: Volume 3, Issue 1. Xzibit. 40 Days and 40 Nights. Loud Records, 1998.